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CV_漢字 Litsu 少交女 Flip amausa_E oRibiA Kirin Road Calm akane salina_E Spic a Grax CV_takan FOUR NULL PowerBoil WoodStock Cone sonoda Pentsu mNp Forte Sian Tea Ke CeRes Char Lime Choisir Pulucy momi aRisa ZygoS fear Ladz Mango canary LiBra Atelier Reykjavik colorful JOKER canna 座 工藤新一 arumakan fuyume haon Camtis\'unts MiSaki セブンスリィ reef bloody\'sPyLp cAR-D )fish( kevin Zndice ZakoyaRo naru3 Ashyura KD Zera agit STERS BEAT tamatebako Sagi Nagato chat STERS_E KANTEN kitchee_E Sword Fish scissor\'s written Power Boli VALAX nyaako mart Tsubo Rigel sukiyaki sakuhi arrow RYUN Garden kamikaze@ kANa DOMON parma deviland でんとう虫 ラン Rokuna-6 長 devon yui Hokkair0 DotolE devilard warosu RAGNAROK MoNoKuRo symb. 氷柱No.2 bilieve HIRO619 Nelton raikou bB11 robin tunn Gurifon emerald Swordfish smilemelody LimLim RainyDrop FlandreScarlet blonze Shella seiya konchan inaba batman atakamo Puzzle zakoyaro cv_M platinum たなべえ gabi DONMARI Stein Akasoi Rubber aprodita penson spring takkun Shunzan
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Title Daniel Powter - Bad Day lyrics Artist Daniel Powter Lyrics Where is the moment when we need it the most You kick up the leaves and the magic is lost They tell me your blue skies fade to grey They tell me your passion s gone away And I don t need no carryin on You stand in the line just to hit a new low You re faking a smile with the coffee to go You tell me your life s been way off line You re falling to pieces everytime And I don t need no carryin on Cause you had a bad day You re taking one down You sing a sad song just to turn it around You say you don t know You tell me don t lie You work at a smile and you go for a ride You had a bad day The camera don t lie You re coming back down and you really don t mind You had a bad day You had a bad day Well you need a blue sky holiday The point is they laugh at what you say And I don t need no carryin on You had a bad day You re taking one down You sing a sad song just to turn it around You say you don t know You tell me don t lie You work at a smile and you go for a ride You had a bad day The camera don t lie You re coming back down and you really don t mind You had a bad day (Oh.. Holiday..) Sometimes the system goes on the blink And the whole thing turns out wrong You might not make it back and you know That you could be well oh that strong And I m not wrong So where is the passion when you need it the most Oh you and I You kick up the leaves and the magic is lost Cause you had a bad day You re taking one down You sing a sad song just to turn it around You say you don t know You tell me don t lie You work at a smile and you go for a ride You had a bad day You ve seen what you like And how does it feel for one more time You had a bad day You had a bad day Had a bad day Had a bad day Had a bad day
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ダイエット方法 ダイエット方法は色々ってやるって思うで。 目ぇ的に合わせてもダイエット方法は違ってきまんねん。 短期間でぇのダイエット方法が人気やねんし、へーこいてプーよなダイエット方法やらなんやらも人気がやるって思うで。 クレジットをかけんとダイエットをしたいって思っとる人のダイエット方法もあるんや。 こっからダイエットをやるちゅう人は、おのれがどないなダイエット方法をしたいのか、まずは考えてみるこってが必要や。 なんでやったら、ダイエットの方法て、やはり色々や。 なんぼダイエットの方法でぇ効果的なもんがやったってしても、おのれに合っていな意味がおまへんし、 おのれが続けられな意味がおまへんよってに、ダイエット方法は人それぞれ合う、合いまへんこってはようあるんや。 芸能人のダイエット方法やらなんやらも常に話題に上がっておって女の人の間でぇはめっちゃ人気があるんやが、 たとえばやなきょうびは友近のダイエット方法やらなんやらが人気やねんし、クワバタのダイエット方法やらなんやらも人気がおました。 モデルのダイエット方法もモデダイってして販売されとるくらいや。 こっからダイエットをやる人でぇ、なんし、どないなダイエット方法がやるのか、知ってみたいって思っとる人は、 まずはダイエットランキングを見てみるってええやろな知れまへんな。 ダイエットランキングを見てみれば、今人気のダイエットがわかるさかいに、 その中よってに、おのれが続けられせやって思たダイエット方法を行うこってがええって思うで。 続けられな意味がおまへんよってに続けられるダイエット方法を見つけまひょ。 http //www.chatwalker.com/sauvage/ hhttp //ameblo.jp/motyka/ http //minkara.carview.co.jp/userid/1854905/blog/
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【Tags Akuno-P G Len t5 tC tF tT 5】 Original Music title 五番目のピエロ English music title The Fifth Pierrot / Clown of No.V Romaji music title Gobanme no Piero Music Lyrics written, Voice edited by mothy \ 悪ノP(Akuno-P) Music arranged by mothy \ 悪ノP(Akuno-P) Singer(s) 鏡音レン (Kagamine Len) Append Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： E.C.610 Rolled-city Lucifenia Lemy Abelard At 2 a.m., in a town shrouded in night s darkness, who will be the victim? I will need to punish the bad children, since that is my job as Pierrot. Ms. Santa has taught me that the world is infested with mistakes. I, Pierrot of No.V, will dance once again in today s dark night. The silly-looking boy, with his face painted white, thrusts his silver knife into a chunky pig. Tonight the restless Pierrot, in a circus devoid of an audience, plays his flute to the moon, and then dyes the blackness into crimson. Today, too, the magical cage enclosing the ecstatically dancing Pierrot has been opened, and that wild beast, while jumping through fire hoops, wanders in the street. ~Members of "Pere Noel"~ V. Pierrot → the yellow one (male) I. Santa → the adult woman sexy beauty III. Princess Sandman → the first green → retired ✝ II. the blue one → he will never get his debut VI. samurai → used for chores and others The Magician of No.VII, with her gentle yet gloomy eyes, tried to ask me to escape from this place with her, so I told Ms. Santa that we had a traitor in the house. The immediate next day, the Magician became missing. Gently caressing Pierrot s head, Ms. Santa s hand was almost... There was another job for Pierrot today. I waited for my prey in the dark back valley. Suddenly, I heard a rupture sound, and everything changed from black to crimson. Pierrot s chest hurts! Pierrot doesn t want to die! I don t want to die! Standing soundlessly before my eyes is the Sniper of No.VIII. Tonight the restless Pierrot was very tired, so he closed his eyes. In his dream, he saw his real father and mother smiling at him. Pierrot will not be able to dance again. "See, I told you to escape with me!" Muttering and then laughing wickedly was the Magician of No.VII... Romaji lyrics (transliterated by animeyay)： E.C.610 Rolled-city Lucifenia Lemy Abelard gozen niji kurayami no machi koyoi no giseisha wa dare? warui ko ni wa o-shioki sore ga Piero no shigoto Santa-san kara mananda koto sekai wa machigai darake gobanme no doukeshi wa kyou mo yamiyo ni odoru shironuri on kao odoketa shounen ga futotta buta ni gin no naifu o tsukitateru koyoi midareshi Pie-Piero kankyaku no nai yoru no saakasu ano tsuki no tame ni fue o fuke soshite kuro kara aka e kyou mo odorikuruishi Pie-Piero mashou no ori wa mou hirakareta hi no wa o kugutta moujuu wa machi o samayoiaruku yo ~Member of "Pere Noel"~ V. Piero → kiiroi no (otoko) I. Santa → toshima sekushii bijo III. Nemurase-hime → midori ichigou → ritaiya ✝ II. aoi no → deban nashi VI. samurai → zatsuyou yasashikute kurai me o shita nanabanme no tejinashi ga koko kara nigedasou to amai sasoi o kakeru Santa-san ni oshiete ageta uragirimono ga imasu to tsugi no hi ni tejinashi wa yukue shirezu to natta Piero no atama yasashiku naderu Santa-san no te sore wa marude... kyou mo shigoto da Pie-Piero uraroji no kage emono o matta fui ni hibikiwataru haretsuon soshite kuro kara aka e mune ga itai yo Pie-Piero shinitakunai yo shinitakunai yo mugon de me no mae ni tatte iru hachibanme no sogekishu koyoi midareshi Pie-Piero totemo nemui to me o tojita n da yume no naka de hohoende iru hontou no chichi to haha mou odoru koto no nai Pie-Piero "dakara nigeyou tte itta no ni" sou tsubuyaite waratta no wa nanabanme no tejinashi datta... [mothy, Akuno-P, AkunoP]
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MySpace(Official) - MySpace(Fan) - E-Metallum MANIERISME 日本産オカルティックブラックメタルの 666 枚限定 1st らしきもの。（追記：内容的には 1st / 2nd Demo をまとめたもの。）ちなみに裏面に手書きでナンバリングされていて、私が入手したのは 407 でした。あと 20 後だったら 427（死にな）だったのに。まぁ入手できただけでも贅沢言うまい。 このアルバムがどんな感じかといいますと、ブラックメタルの始祖 MAYHEM の 1st「DE MYSTERIIS DOM SATHANAS」を思い出して下さい。タイトル曲である #8 は、アッティラたんの呪詛ヴォイスが素晴らしい名曲ですよね。…あんな感じの聴いてるだけで呪われそうな曲が 17 曲 67 分に渡って続くと思って下さい。素晴らしいでしょう？ 歌詞/台詞は日本語を含むのですが、よく聞き取れないものが多いです。#1「The Beginning Of Malice Tragedy」は時計の音とともに語りが入るのですが、未だに聞き取れきれていません。しかしその聞き取れなさがまた不安感を煽ってくれます。 #5「The Secret Garden」が素晴らしい。上の MySpace(Fan) から聴けるのでとりあえず聴いて下さい。ただし、聴き始めたら飛ばしたりせず最後までちゃんと聴きましょう。途中で終えると呪われますよ！…まぁ最後まで聴いても呪われると思いますが死ね。 #6「Koware Kuruu Ningyou No Akumu」は途中の台詞がなんだか怖い。文字に起こすと「私は、頭が、おかしくなりました～♪」なんですが、発音がなんだか本当に狂っていそうな雰囲気です。というかコレに限らず、全体的に日本語の歌詞/台詞がなんだか妙な感じです。普通でないのは言うまでも無いですが、かといって「いかにも怖がらせようというおどろおどろしい声」でもなく、敢えて言うなら「もし悪霊が居るならこんな声なのではないか？」と思わされるような声というか。 #9「The End Of Malice Tragedy」までで曲名と構成的に言って一つの物語らしい。（追記：ここまでが 2nd Demo の内容。）再び #1 同様の時計の音とともに語りが入って終了。こっちはなんとか台詞が聞き取れましたが…怖いよ。 #13 #14 #15 は、何度も音が切れてこれで終わりかと思わせてやっぱり続くという展開になっています。聴いていて「まだ終わらないの？まだ終わらないの？」と不安になりました。 CD には #16 までしか記載されていませんが、実際には #17 が入っています。いったいどんな怖ろしい曲が入っているのかと緊張しましたが、ショパンの曲がオルゴールで静かに流れるだけでした。しかしこれがまた逆に不安になります。何も無い広い暗い廃部屋の真ん中にオルゴールがポツンと一つ置かれていたらなんだか妙な怖さがあるでしょう？そんな感じです。 と、そんな感じにとにかく全体的に不安感を掻き立てられるアルバムです。言葉だけで説明するのは難しいので、とにかく myspace から試聴してみて下さい。 余談：このレビューを書くにあたって、私がこのバンドを知ったきっかけである某ブログでのレビューを読み返そうと思ったのですが、そのブログで検索かけても MANIERISME の記事が見当たらない。「あれ？知ったきっかけってこのブログじゃなかったっけ？」と思って「MANIERISME」でぐぐって片っ端から見てみるも、「あー、ここだここだ」と思うようなページが見当たらない。…私はどこでこのバンドを知ったのだろう… レビュー：猫と重金属
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転載 歌 エミネム My tea s gone cold I m wondering why I.. got out of bed at all The morning rain clouds up my window.. and I can t see at all And even if I could it ll all be gray, but your picture on my wall It reminds me, that it s not so bad, it s not so bad.. 紅茶が冷めた、なんで自分はわざわざﾍﾞｯﾄﾞから起きてきたんだろう。 朝の雨が窓を曇らせて、何も見えない。 もし見えたとしても、全部ｸﾞﾚーだろう、 でも壁に飾ってある君の写真を見てると、 そんなに悪くない、悪くないよ、、って思えるんだ。 1st Chorus volume gradually grows over raindrop background 2nd Chorus full volume with beat right after "thunder" noise (雨音のﾊﾞｯｸｸﾞﾗｳﾝﾄﾞから段々この曲のﾎﾞﾘｭｰﾑが上がってくる） (雷の音と共にこの曲がﾌﾙﾎﾞﾘｭｰﾑになる） [Eminem as Stan ] Dear Slim, I wrote but you still ain t callin I left my cell, my pager, and my home phone at the bottom I sent two letters back in autumn, you must not-a got em There probably was a problem at the post office or somethin Sometimes I scribble addresses too sloppy when I jot em but anyways; fuck it, what s been up? Man how s your daughter? My girlfriend s pregnant too, I m bout to be a father If I have a daughter, guess what I ma call her? I ma name her Bonnie I read about your Uncle Ronnie too I m sorry I had a friend kill himself over some bitch who didn t want him I know you probably hear this everyday, but I m your biggest fan I even got the underground shit that you did with Skam I got a room full of your posters and your pictures man I like the shit you did with Rawkus too, that shit was fat Anyways, I hope you get this man, hit me back, just to chat, truly yours, your biggest fan This is Stan ｽﾘﾑへ 前に手紙出したけど、まだ電話してくれないね。 手紙の一番下に俺の携帯、ﾎﾟｹﾍﾞﾙ、自宅電話番号書いといたんだけどな。 秋に2通手紙出したけど、受け取ってないんだね。 多分郵便局で何かあったかなんかだろうな、 時々俺は汚らしく住所を書きなぐるからな。 ま、とにかく、そんな事どうでもいいや、どうしてる？ 君の娘は元気？ 俺の彼女も妊娠中で、俺ももうすぐ父親になるよ。 もし女の子だったら、何て呼ぶと思う？ ﾎﾞﾆｰって名前にするよ。 君のおじさんﾛﾆｰの記事を読んだよ、気の毒だったね。 俺の友達で自殺したﾔﾂがいるよ、ﾔﾂを相手にしなかったどっかのﾋﾞｯﾁが原因でね。 多分君は毎日聞くｾﾘﾌだろうけど言うよ、俺は君の大ﾌｧﾝだよ。 君がｽｶﾑとやったｱﾝﾀﾞｰｸﾞﾗｳﾝﾄﾞのやつも持ってるよ。 俺の部屋は君のﾎﾟｽﾀｰと写真で一杯だよ。 君がﾛｰｶｽとやったあれも好きだよ、あれはｻｲｺーだったね。 とにかく、これを受け取ったら連絡くれよな、ちょっと話そうぜ。 心から。 君の大ﾌｧﾝ ｽﾀﾝより {Chorus Dido} [Eminem as Stan ] Dear Slim, you still ain t called or wrote, I hope you have a chance I ain t mad - I just think it s FUCKED UP you don t answer fans If you didn t wanna talk to me outside your concert you didn t have to, but you coulda signed an autograph for Matthew That s my little brother man, he s only six years old We waited in the blistering cold for you, four hours and you just said, "No." That s pretty shitty man - you re like his fuckin idol He wants to be just like you man, he likes you more than I do I ain t that mad though, I just don t like bein lied to Remember when we met in Denver - you said if I d write you you would write back - see I m just like you in a way I never knew my father neither; he used to always cheat on my mom and beat her I can relate to what you re saying in your songs so when I have a shitty day, I drift away and put em on cause I don t really got shit else so that shit helps when I m depressed I even got a tattoo of your name across the chest Sometimes I even cut myself to see how much it bleeds It s like adrenaline, the pain is such a sudden rush for me See everything you say is real, and I respect you cause you tell it My girlfriend s jealous cause I talk about you 24/7 But she don t know you like I know you Slim, no one does She don t know what it was like for people like us growin up You gotta call me man, I ll be the biggest fan you ll ever lose Sincerely yours, Stan -- P.S. We should be together too ｽﾘﾑへ まだ電話も手紙もくれないな。 暇を見つけてくれるといいな。 別に怒ってないぜ、ただﾌｧﾝに返事しないのは"ｸｿ最悪"だと思うだけだよ。 もしｺﾝｻｰﾄ会場の外で俺に話しかけたくなかったら、別にいいよ。 でもﾏｼｭｰにはｻｲﾝしてやっても良かったんじゃないか？ ﾏｼｭｰは俺の弟なんだ、まだ6歳だぜ。 俺たちはｸｿ寒い中、君のこと待ってたんだぜ。 4時間も待ったのに、君が言った言葉は"No"だけだぜ？ あれは感じ悪かったぜ？君はﾏｼｭｰのｱｲﾄﾞﾙなんだぜ？ ﾏｼｭｰは君みたいになりたいんだ、俺なんかよりもっと君の事が好きだぜ？ 俺はそんなに怒ってないけど、ただ嘘つかれるのがｷﾗｲなだけなんだ。 俺たちがﾃﾞﾝｳﾞｧｰで会った時覚えてるか？ もし俺が手紙書いたら、君は返事くれるって言ったのを。 あのさ、俺はある意味君みたいなんだよな。 俺も自分の父親を知らなかったし、彼はいつも浮気して母さんに暴力振るってた。 君が歌の中で言ってる事に自分がかぶるんだ。 だから何かついてない日はさ、ぼーっとしながら君の歌をかけるんだ。 だって他に自分が凹んでる時に役立つもんがないんだよ。 俺は胸んとこに君の名前のﾀﾄｩｰもしてあるぜ？ 時々、俺はどれだけ血が出るか見るために自分を切ったりさえするぜ？ ｱﾄﾞﾚﾅﾘﾝみたいでさ、あの痛みで俺は一瞬でぶっ飛べるね。 な、君が言うｺﾄは全部ﾘｱﾙなんだ。それを君は伝えれるから尊敬するんだ。 俺の彼女は、俺が四六時中君の話ばっかするから嫉妬してるぜ。 でも彼女は俺がわかってるように君、ｽﾘﾑ のｺﾄわかっちゃいないんだ。誰もわかっちゃいねぇ。 彼女は俺達みたいな人間の生い立ちを知らないんだ。 いい加減電話してくれよ、俺みたいな超大ﾌｧﾝを失うと惜しいことになるぜ？ ｽﾀﾝより P.S.俺ら一緒になるべきだと思うぜ。 {Chorus Dido} [Eminem as Stan ] Dear Mister-I m-Too-Good-To-Call-Or-Write-My-Fans, this ll be the last package I ever send your ass It s been six months and still no word - I don t deserve it? I know you got my last two letters; I wrote the addresses on em perfect So this is my cassette I m sending you, I hope you hear it I m in the car right now, I m doing 90 on the freeway Hey Slim, I drank a fifth of vodka, you dare me to drive? You know the song by Phil Collins, "In the Air of the Night" about that guy who coulda saved that other guy from drowning but didn t, then Phil saw it all, then at a a show he found him? That s kinda how this is, you coulda rescued me from drowning Now it s too late - I m on a 1000 downers now, I m drowsy and all I wanted was a lousy letter or a call I hope you know I ripped +ALL+ of your pictures off the wall I love you Slim, we coulda been together, think about it You ruined it now, I hope you can t sleep and you dream about it And when you dream I hope you can t sleep and you SCREAM about it I hope your conscience EATS AT YOU and you can t BREATHE without me See Slim; {*screaming*} Shut up bitch! I m tryin to talk! Hey Slim, that s my girlfriend screamin in the trunk but I didn t slit her throat, I just tied her up, see I ain t like you cause if she suffocates she ll suffer more, and then she ll die too Well, gotta go, I m almost at the bridge now Oh shit, I forgot, how m I supposed to send this shit out? {*car tires squeal*} {*CRASH*} .. {*brief silence*} .. {*LOUD splash*} ﾐｽﾀｰ"俺はｽｺﾞ過ぎてﾌｧﾝに電話や手紙なんてしないぜ"ｻﾝへ もう、これでｱﾝﾀに何か送るのは最後にするぜ。 6ヶ月もたってるのに、ひと言もないじゃないかよ、 俺はひと言ももらう資格がないっちゅーのか？ 俺の前の2通の手紙は届いてるのはわかってるぜ、住所はｶﾝﾍﾟｷに書いたからな。 よし、今送ってるのは俺自作のｶｾｯﾄだ、聴いてくれよな。 今、車の中だぜ、高速で時速90ﾏｲﾙ(時速140ｷﾛ位)出してるとこさ。 ﾍｲ、ｽﾘﾑ、俺、ｳｫｯｶを5分の1ﾎﾞﾄﾙ飲んできたんだけどさ、俺に運転させる気ある？ ﾌｨﾙｺﾘﾝｽﾞの"In the Air of the Night" っていう歌知ってるだろ？ 溺れそうになってる人を助けかけたんだけど、結局助けなかった男の話。 で、ﾌｨﾙは全部それを見て、それでｼｮｰの最中にﾌｨﾙは彼をみつけたってﾔﾂ？(ﾁｮｯﾄわかりませぬ） あの話が今のｼﾁｭｴｰｼｮﾝみたいなもんだな。 君は俺が溺れそうになってるのを助けれただろうに、もう遅いんだよ。 俺、睡眠薬1,000錠飲んできたんだ、眠いよ。 ｱﾝﾀから汚らしい手紙か電話が欲しかっただけなのに。 俺は壁に飾ってあったｱﾝﾀの写真 "全部"破ったからな。 ｽﾘﾑ、愛してんだよ、俺ら一緒になれたのに、考えてみろよ！ ｱﾝﾀがそれﾀﾞﾒにしたんだ、ｱﾝﾀが眠れなくなって、この夢をみればいいさ。 で、その夢見たらｱﾝﾀは眠れなくなって、"叫ぶ"んだ。 罪悪感に食われちまえばいいんだ。 ほら、ｽﾘﾑ？(叫び声) 黙れ、ﾋﾞｯﾁ！俺が話してる最中なんだよっ！ ﾍｲ､ｽﾘﾑ？あれ(今聞こえた叫び声は)は俺の彼女がﾄﾗﾝｸの中で叫んでる声だぜ。 でも、俺は彼女のﾉﾄﾞは切りつけてないぜ、ただ縛り上げただけだよ、ｱﾝﾀとは違うんだ。 だって彼女が窒息したら、もっと苦しむだろ？で、それからまた死ぬんだ。 よし、もう行かなきゃ、今、後もう少しで橋に着く。 やべっ！忘れてた！このｸｿﾃｰﾌﾟ、どうやって送ればいいんだ？ {*car tires squeal*} {*CRASH*} 車のﾀｲﾔのｷｰｷｰ音、ｸﾗｯｼｭの音 .. {*brief silence*} .. {*LOUD splash*} 一瞬の沈黙、大きなｻﾞﾌﾞﾝという水の音 {Chorus Dido} [Eminem] Dear Stan, I meant to write you sooner but I just been busy You said your girlfriend s pregnant now, how far along is she? Look, I m really flattered you would call your daughter that and here s an autograph for your brother, I wrote it on the Starter cap I m sorry I didn t see you at the show, I musta missed you Don t think I did that shit intentionally just to diss you But what s this shit you said about you like to cut your wrists too? I say that shit just clowning dogg, c mon - how fucked up is you? You got some issues Stan, I think you need some counseling to help your ass from bouncing off the walls when you get down some And what s this shit about us meant to be together? That type of shit ll make me not want us to meet each other I really think you and your girlfriend need each other or maybe you just need to treat her better I hope you get to read this letter, I just hope it reaches you in time before you hurt yourself, I think that you ll be doin just fine if you relax a little, I m glad I inspire you but Stan why are you so mad? Try to understand, that I do want you as a fan I just don t want you to do some crazy shit I seen this one shit on the news a couple weeks ago that made me sick Some dude was drunk and drove his car over a bridge and had his girlfriend in the trunk, and she was pregnant with his kid and in the car they found a tape, but they didn t say who it was to Come to think about, his name was.. it was you Damn! ｽﾀﾝへ もうちょっと早く返事書こうと思ってたんだけど、ただ忙しかったんだ。 君のｶﾞｰﾙﾌﾚﾝﾄﾞが妊娠してるって言ってたね？あと何ヶ月？ あ、そうそう君の娘をそう呼んでくれるって事で(ﾎﾞﾆｰ)、ﾏｼﾞ嬉しいよ。 あと、これが君の弟へのｻｲﾝだよ。ｽﾀｰﾀｰのｷｬｯﾌﾟに書いたぜ。 ｼｮｰで君に会えなくて悪かった。すれ違ったんだろうよ。 君をﾊﾞｶにしてわざとやったとか思わないでくれよ。 だけど、この君が言ってた、俺も手首切るのが好きっていうのはどういう意味だよ？ 俺はただふざけて言ってるだけだぜ？ 君、どんだけとち狂ってんだ？ ｽﾀﾝ、君はいくつか問題があるな、ｶｳﾝｾﾘﾝｸﾞに行く必要があると思うぜ。 で、この、俺たち一緒になるべきだ、ってのは何なんだ？ ああいうｸｿな事書かれると、俺、君と会いたくなくなるよ。 俺は、ﾎﾝﾄに君とｶﾞｰﾙﾌﾚﾝﾄﾞはお互い必要とし合ってると思うんだ、もしくはもっと彼女を大事にする必要があるかもな。 君がこの手紙を読んでくれるｺﾄを祈ってるよ、君がﾊﾞｶな真似する前に届いてくれるように。 もうちょっとだけﾘﾗｯｸｽすれば、君は大丈夫だよ。 俺が君にｲﾝｽﾋﾟﾚｰｼｮﾝを与えたのは嬉しいよ、でもｽﾀﾝ、なんでそんなに怒ってるんだ？ 理解しようとしてるよ、君に俺のﾌｧﾝでいてほしいよ。 ただ、とち狂ったｺﾄだけはして欲しくないんだ。 2週間前に、１個ﾆｭｰｽで見て気分悪くなった事件があるんだ。 どっかの男が酔っ払って、車のまま橋から飛び込んだんだ、ﾄﾗﾝｸに自分のｶﾞｰﾙﾌﾚﾝﾄﾞを入れて、 しかもそのｶﾞｰﾙﾌﾚﾝﾄﾞのおなかの中にはその男との子供がいたんだ。 で、その車の中からﾃｰﾌﾟが見つかってさ、でもﾆｭｰｽではそれが誰宛てなのか言わなかったんだよ。 で、今思い出してんだけど、その男の名前は、、、 君だった ﾁｸｼｮｳ
https://w.atwiki.jp/nxll/pages/14.html
(song s title is "1/2", which pronounces "ni bunno ichi", represents 0.5)(ni = 2, ichi = 1 in Japanese) せなか に 耳 を ぴっと つけて senaka ni mimi wo pitto tsukete I held you, and put my ears on your back, hugging 抱きしめた dakishimeta tight as I could 境界線 みたいな からだ が じゃま だね kyoukai-sen mitaina karada ga jama dane our physical boundaries are getting in the way of us どっか いっちゃいそう なのさ dokka icchaisou nanosa but I feel as though they re flying away だまってると ちぎれそう だから こんな 気持ち damatteru-to chigiresou dakara konna kimoti If I kept silent, all things would begin drifting away はんけい 3メートル 以内の 世界 で もっと hankei san meetoru inai-no sekai de motto I wanna hug you in more condensed way and I wanna be もっと ひっついて たい のさ dokka icchaisou nanosa always within 3 meter radius かわりばんこ で ペダル を こいで kawaribanko de pedal wo koide working the pedals, turn about each other, おじぎの ひまわり 通りこして ojigi-no himawari toorikoshite passing along the, bowing sun-flowers, ぐんぐん 風 を のみこんで gungun kaze wo nomikonde we re gonna swallow, all of the winds as if そう 飛べそう じゃん sou tobesou jan we could fly into sky はじめて かんじた 君 の 体温 hajimete kanjita kimi no taion in the first time I, felt your warmth and, 誰よりも 強く なりたい dare-yorimo tsuyoku naritai suddenly I wanna be stronger あったかい リズム attakai rythem in the warmth of this rythem 2コ の しんぞう が くっついてく niko no shinzou ga kuttuiteku two hearts are about to be united くちびる と くちびる kuchibiru to kuchibiru on my lips and on your lips め と め と 手 と 手 me to me to te to te eyes and eyes and hands and hands かみさま は 何も 禁止 なんか してない kamisama ha nani-mo kinshi nanka shite-nai our God will never forbid what we want to do 愛してる 愛してる 愛してる ai-shiteru ai-shiteru ai-shiteru Oh I love you, Oh I love you, Oh I love you あたし まだ こりてない 大人 じゃ わかんない atashi mada korite-nai otona ja wakan-nai I have no regret, and adults never understand, くるしくて せつなくて みせたくて パンク しちゃう kurushikute setsunakute misetakute puncture sichau suffocating, wistful, want you see me, nealy punctured, そっぽ みて まってる から soppo mite matteru kara so I try not to see you ポッケ の まよってる 手 で pocket(pronounce pokke) no mayotteru te de so take your hands outof your pockets ほっぺ に ふれて hoppe ni furete touch me on my cheeks 恋してる チカラ に 魔法 を かけて koi-shiteru chikara ni mahou wo kakete cast your spells on my power of love.. (間奏) (Interlude)
https://w.atwiki.jp/vocaloidenglishlyric/pages/605.html
【Tags Miku buzzG tM M】 Original Music title メリーとニコラウス English music title Merry and Nicolaus Romaji music title Merii to Nikorausu Music Lyrics written, Voice edited by buzzG Music arranged by buzzG Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： "Mister! They say you can make miracles... is that true?" The girl enquired the old man. "Hah... I wonder myself... Maybe you d call it miracle, maybe not... But I suppose long ago, I used to raise some flying reindeer..." "Wha?! No way! You re a terrible joker, mister!" "Heh heh... Well, now! You ought to be going. I bet your mom ll be angry otherwise." Despite the old man s urging, the girl couldn t accept it. Showing this with her expression, she reluctantly nodded her head. But then, as if just recalling it, the old man said... "Ah, right! Until the next time we meet, think about what it is you want. As thanks for listening to this senile old man and keeping him company, I ll give you whatever you like." "Yaaay! Thank you! You promise?" I ve lost the name that God gave to me; All status, honor, and glory is gone now... I was shunned, and made a fool of, but I just laughed it off I saw I was putting on the years, but still I smiled Until you know the meaning of "goodbye," You ll act like it s all just fine - aren t I right? I don t have to the power to make miracles, But I can t help but let out tears... I kept such good care of that old blue clock, But with the second hand stopped, I felt so lonely... I put my own self second, and wished for others joy, So my declining life could bring smiles elsewhere... Don t go - there s so much I still don t know You cradled me with your great, warm hands, but it still hurt... If you have the power to make miracles, Then please, God, just once more... One day in December, I heard bells from far away, Telling me an old, white-bearded man was coming to see me... Until I know the meaning of "goodbye," You ll act like it s all just fine - aren t I right? Maybe you don t have to the power to make miracles, But there s something far more important... Hey, there s something I want, so please listen; Just put it in my stocking - that s fine, right? Never mind the power to make miracles; I found something much more precious... And it was you who taught it to me... Romaji lyrics (transliterated by vgboy / vgperson)： "Oji-san! Kiseki o okoseru tte, hontou?" Shoujo wa roujin ni tazunemasu. "Aa... dou darou nee... Kiseki to yobu no ka wakaranai keredo, Mukashi wa, sora o tobu tonakai o katteita koto mo atta kana..." "Ee, uso da! Oji-san wa joudan ga heta dana!" "Hehe... hora! Sorosoro kaeranaito. Okaa-san ni okorarete shimau yo?" Roujin ga unagasu mo, shoujo wa nattoku wa ikenai. To itta hyoujou de, shibushibu unazukimashita. Suru to, roujin wa omoidashita you ni... "Sou da! Tsugi ni au toki made ni, hoshii mono o kangaete okinasai. Mouroku shita kono jii no hanashi ni tsukiatte kureta orei ni, Suki na mono o ageyou." "Waai! Arigatou! Yakusoku da yo?" Kamisama ga kureta sono namae o nakushite Chii mo meiyo mo eikou mo ushinattan desho Utomarete baka ni sare sore demo waraitobashite Kitsukeba toshi dake kasanete mada waratteta Sayonara no sono imi ga wakaru made no aida Anata wa heiki na furi o shiteta ne nee sou desho Kiseki o okosu chikara mo nai no ni Boroboro namida ga dechau no Sugoku daiji ni shiteta mizuiro no okitokei wa Byoushin ga tomatta manma samishisou ni shiteta Jibun no koto wa ni no tsugi tanin no shiawase negatte Katamuita inochi o yoso ni mata waratteta Ikanaide watashi mada shiranai koto ga aru no Ooki na te de nadete kureta nukumori ga itai yo Kiseki o okosu chikara ga aru nara Kamisama mou ichido dake Juuni-gatsu to aru hi ni suzu no ne ga tooku kikoete Shiroi hige no roujin ga ai ni kuru to iu Sayonara no sono imi ga wakaru made no aida Anata wa heiki na furi o shiteta ne nee sou desho Kiseki o okosu chikara wa nai kedo Sonna no yori mo zutto Nee hoshii mono ga aru no kiite kureru Kutsushita ni irete oite yo nee ii desho Kiseki o okosu chikara nanka yori Daiji na mono o mitsuketa yo Anata ga oshiete kureta yo
https://w.atwiki.jp/englishlanguage/pages/12.html
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Tanaka, Eri. 田中英理. 2009. 「非能格自動詞の他動詞用法について」 JELS 26 269-278. Tanaka, H.1983."Negation and Adverbs". Tokushima Univ. Journal 33 27-39. Tanaka, Hidekazu. 田中秀和. 2018. "Fragment Answers with Focus Particles". JELS 35 152-158. Tanaka, Hideki. 田中秀毅. 1998. 「日英語における関係節と数量詞の相関」 JELS 15 201-210 Tanaka, Hideki. 田中秀毅. 2000. 「間接節と部分構造」 JELS 17 231-240 Tanaka, Hideki. 2012. "A Contrastive Study of A of B and A out of B". JELS 29 163-169. Tanaka, Hideki. 2016. "A Contrastive Study of Free Adjuncts and Relative Clauses with Special Reference to their Logical Relationship with the Main Clause". JELS 33; 156-162. Tanaka, Hiroaki. 田中廣明. 1996. 「二重否定構文に見る控えめ表現とアイロニー」 JELS 13 161-170. Tanaka, Hiroaki. 田中廣明. 1998. 「evenの含意―｢普遍数量詞的読み｣か「存在数量詞的読み」か」 JELS 15 211-220. Tanaka, Hiroyoshi. 田中公介. 2009. 「フェイズ理論における名詞句からの外置構文の派生について」 JELS 26 279-288. Tanaka, Hiroyuki. 田中裕幸. 1996. 「寄生的空所構文の派生について」 JELS 13 171-180. Tanaka, Katsuhiko.田中克彦.『差別語からはいる言語学入門』 明石書店. Tanaka, Kazuhiko.田中一彦.2004.「Since構文の主節における単純時制」 『英語青年』2004年4月号：28-30. Tanaka, Kosuke. 田中江扶. 1997. 「Locative Inversionについて」 JELS 14 201-210. Tanaka (Matsumoto), Mizue. 田中(松本)瑞枝. 2018. 「Talmy（1991）類型二分論の再考察―構文主導の英語移動表現より―」 中村芳久教授退職記念論文集刊行会（編）『ことばのパースペクティヴ』, pp. 211-221. 東京 開拓社. Tanaka, Miwako.2002.「『語り』の when節」『英語コーパス研究』 9 81-91. Tanaka, Miwako. 田中美和子. 2007. 「暗い[l]から[U]への母音化 -RPのコックニー的変容」『国際研究論叢 大阪国際大学紀要』20(3) 73-88. Tanaka, N., H. Spencer-Oatey E. Cray. 2000. "'It's not your fault!' Japanese and English Responses to Unfounded Accusations", in Culturally Speaking Managing Rapport through Talk across Cultures, ed. H. Spencer-Oatey, pp. 75-97. London Continuum. Tanaka, Shigenori.田中茂範.1990.『データに見る現代英語表現・構文の使い方』アルク. Tanaka, Shinichi.田中伸一.1998.「現代音韻論の軌跡と展望(1)――独立モジュール性仮説と決別――」『英語青年』1998年5月号：35. Tanaka, Shinichi.田中伸一.1999.「現代音韻論の軌跡と展望(4)――Generative Phonology 1968-1998――」『英語青年』1999年1800号記念：78. Tanaka, Shinichi.田中伸一.1998.「現代音韻論の軌跡と展望(3)――不透明性と言語理論――」『英語青年』1998年11月号：39. Tanaka, Shinichi.田中伸一.1998.「現代音韻論の軌跡と展望(2)――言語理論と認知科学の綱引き――」 『英語青年』 1998年8月号：38. Tanaka, Shin-ichi. 田中伸一. 2014. 「濁りの表示と不透明性 日英語の有声音の深層と表層」 JELS 31 193-199. Tanaka, Takuro. 2003. "Semantic Interpretation of Many". JELS 20 188-197. Tanaka, Tomoyuki.2000."On the Development of Transitive Expletive Constructions in the History of English". Lingua 110 473-95. Tanaka, Tomoyuki.2000."Subject Positions and transitive Expletive Constructions". Handout. Tanaka, Tomoyuki. 2017. "Object Movement and Left Periphery in the History of English". JELS 34 193-199. Tanaka, Toshiro.田中逸郎.1972「Joe Gargery の方言と職業語」『ディケンズの文学と言語：ディケンズ没後百年記念論文集』（桝井迪夫・田辺昌美編、三省堂). Tanaka, Toshiro.田中逸郎.1992.The Construction with Verbals in Jane Austen's English. (= 『広島大学文学部紀要』52特別号ＩＶ） Tanaka, Toshiro.田中逸郎.1993."Too Wordy for Jane Austen". 『河井迪男先生退官記念 英語英文学研究』 185－91. 英宝社. Tanaka, Toshiro.田中逸郎.1981「Dickens の試み」『関西大学文学論集』30.4. Tanaka, Toshiro.田中逸郎.1994."Double Negation in Jane Austen". Poetica 41 137-48. Tanaka, Yumiko. 田中優美子. 2013. 「日本語話者が好む公共広告の表現：日英＜事態把握＞の観点から」『日本認知言語学会論文集』13 450-460. Tanaka, Yuta. 田中祐太. 2018. 「動詞end upの歴史変化とPredPの出現」 JELS 35 166-172 Tandrup, Birthe.1983Free Indirect Style and the Critique of the Gothic in Northanger Abbey, in Karsten Engelberg (ed.), The Romantic Heritage A Collection of Critical Essays. (Univ. of Copenhagen, 1983) pp. 81-92. 谷明信. 2023.7.「後期中英語から初期近代英語の法文書の定型性―特に二項句について」『英語史における定型表現と定型性』渡辺拓人・柴﨑礼士郎編. 開拓社. pp.97-125. Tani, Akinobu. 2023.3. "Malory's Phraseology A Preliminary Attempt of Analyzing E-texts Based on Field (2017)." Poetica 97 98 39-54. 谷明信. 2021.10 「ヘルシンキコーパスの後期中英語から初期近代英語における二項句の変遷----テキストタイプ、頻度、語源の観点から」『中世英文学の日々に ―池上忠弘先生追悼論文集―』チョーサー研究会／狩野晃一編. 英宝社. pp.157-182. 谷明信. 2019.4 「ICAMET中英語散文コーパスを用いた認識動詞witの衰退の調査」『コーパスと英語史』西村秀夫編.ひつじ書房. pp.59-95. Tani, Akinobu. 谷明信. 2019. “Lexical Variation in the Four Major Manuscripts of Ancrene Wisse With Special Reference to the Nero Manuscript.” Eds. Harumi Tanabe, Koichi Kano and John Scahill. Linguistic Variation in the Ancrene Wisse, Katherine Group and Wooing Group Essays Celebrating the Completion of the Parallel Text Edition. Frankfurt am Main Peter Lang. 137-159. Tani, Akinobu. 谷明信. 2018.12 "How Caxton Translated French Verbs of Composite Predicates by their English Equivalents in Paris and Vienne A Study on the Semantics of Verbs along with their Collocability with Nouns." Eds. Hideshi Ohno, Kazuho Mizuno, and Osamu Imahayashi. The Pleasure of English Language and Literature A Festschrift for Akiyuki Jimura. Hiroshima Keisuisha. 361-74. Tani, Akinobu Hisao Osaki. 谷明信・尾崎久男. 2018.6. 「 III 部 最新の比較言語研究と歴史言語学の進展、第2章から第5章(第2章 中英語におけるフランス語の句の借用・翻訳借用について、 第3章 dépendre de の英語への導入、第4章 l’approche de l’ennemi は of the enemy か to the enemy か？、第5章 Caxton における中フランス語 Composite Predicates の翻訳について)」『言語の獲得・進化・変化― 心理言語学、進化言語学、歴史言語学 ―』pp.209-256. 開拓社. Tani, Akinobu. 谷明信. 2018.3.「マザーグースの英語を音韻的に見る」『英語音声教育実践と音声学・音韻論』94-113. ジアース教育新社. Tani, Akinobu. 谷明信. 2017.12. 書評「小倉美知子『変化に重点をおいた英語史』」『英文学研究』（日本英文学会）第94巻, pp. 130-134. Tani, Akinobu. 谷明信. 2017.11.「中英語における定型表現ーbinomialsの場合」Conference Handbook 35（日本英語学会） 206-211. Tani, Akinobu. 谷明信. 2016.4.「英語教員養成課程における英語史」『これからの英語教育 ―英語史研究との対話―』11-33. 大阪洋書. Tani, Akinobu. 2013. "Revisiting the Loss of the Verb Witin Comparison with Know A Survey into the ICAMET ME Prose Corpus" in Michio Hosaka, Michiko Ogura, Hironori Suzuki and Akinobu Tani (eds.), Phases of the History of English Selection of Papers Read at SHELL 2012 (Frankfurt am Main Peter Lang), 307-326. Tani, Akinobu. 谷明信. 2013.3. 「Caxtonにおける動詞witの命令構造を含む談話標識」『15世紀の英語ー文法からテキストへー』 61-80. 大阪洋書. Tani, Akinobu. 谷明信. 2011. "Word Pairs or Doublets in Caxton's History of Reynard the Fox Rampant and Tedious?", in From Beowulf to Caxton Studies in Medieval Language and Literature, Texts and Manuscripts, ed. A.V.C. Schmidt, David Wallace and Tomonori Matsusita. Bern Peter Lang. pp.281-302. Tani, Akinobu. (2010) Word pairs in late Middle English prose. PhD thesis, University of Glasgow. Tani, Akinobu. 谷明信. 2010. "Word Pairs in Chaucer's Melibee and their Variant Readings," in Aspects of the History of English Language and Literature, ed. Osamu Imahayashi, Yoshiyuki Nakao and Michiko Ogura, pp. 101-113. Frankfurt am Main Peter Lang. Tani, Akinobu. 谷明信. 2010. "The word pairs in Chaucer's verse in comparison with those in his prose," in Noam Chomsky and Language Descriptions, ed. John Ole Askedal, Ian Roberts and Tomonori Matsushita, pp. 149-68. Amsterdam/Philadelphia John Benjamins. Tani, Akinobu. 谷明信. 2009. 「Caxtonの翻訳技法としてのWord Pairs －Paris and Vienne－」渡部眞一郎、細谷行輝(編)『英語フィロロジーとコーパス研究』 東京：松柏社, 397-412. Tani, Akinobu. 谷明信. 2008. 「アメリカ英語とマザーグースの英語―――英語史教育への応用に向けて―――」田島松二・末松信子（編）『英語史研究ノート』280-287. 東京：開文社. Tani, Akinobu. 谷明信. 2008. 「Chaucer の散文作品におけるワードペア使用」今井光規・西村秀夫(編)『ことばの響き―――英語フィロロジーと言語学―――』89-116. 東京：開文社. Tani, Akinobu. 2008. "The Word Pairs in The Paston Letters and Papers with Special Reference to Text Type, Gender and Generation." in Masachiyo Amano, Michiko Ogura and Masayuki Ohkado (eds.), Historical Englishes in Varieties of Texts and Contexts. Frankfurt am Main Peter Lang, pp.217-231. Tani, Akinobu. 2006. "Thesaurus of Old English for Early Middle English An analysis in light of word pairs in the "Katherine Group" lives." in Corpora and the History of English. Paper Dedicated to Manfred Markus on the Occasion of His Sixty-Fifth Birthday. Eds. Mair, Christian, Reinhard Heuberger in Collaboration with Josef Wallmannsberger. Heidelberg Unversitatsverlag Winter, pp.293-303. Tani, Akinobu. 2005. "HEL (History of The English Language) in Teacher Education in A Japanese Context." in Proceedings of the International Conference on Education. Eds. Francis E.H. Tay, Tay Seng Chuan, Shen Han-Ming. 682-686. Tani, Akinobu.谷明信.2005.「わが国での英語史教育の問題と課題――海外と比較して」 『兵庫教育大学研究紀要』 27 87-94. 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